Madeleine L'Engle
Years ago my grandma gave me a copy of
The Wind in the Door, which I still have but have never read. Books, like friends, seem to have their own time, and I've learned to wait until a book calls me. Recently, I decided to read up on this author, who is often quoted or mentioned in other books I dip into. I read A Circle of Quiet, which is an open journal of the summer happenings at Crosswicks, the summer home of her family. Crosswicks is described as a farmhouse of 'charming confusion', and I found that I had to agree. Imagine an older couple, with years of memories and friends from the theater world (the husband is Hugh Franklin), add three children with assorted grandchildren, pets, neighbors who drop in, and you get a sense of the glorious chaos this book chronicles. Its seems that the family tradition is to name at least one daughter Madeleine, and so L'Engle is called Grandmadeleine by her grandchildren. This breaks down a bit when L'Engle's mother comes to live with them, and the two year old finally christens her Gracchi, which seems to stick.
Why do I like this author? She is a writer in the sense that she wrestles with the 'isness' of things: time, the stars, why older memories are stronger than more recent ones, etc. She truly wants to know, and she narrates her quest for understanding. The book reads like a simply account of a summer, but in reality is a journal of her throught processes, her gradual understanding of new ideas. She intersperses all of this with short sketches, reminisces of previous years, family stories, etc. It gives me a glimpse into a life that I don't think I could ever get by simply talking to her. Is this voyeurism? I hope not. And anyway, its not the typical 'scenes' that term usually applies to. This is simply a curiousity to know about the experiences of others, to know if they felt the same way that I have. What it feels like to give birth, for instance, or how to handle a son who may have cancer. How she felt when her actor/husband was on tour for several months at a time, or what it was like to graduate from college and start her own life.
A Circle of Quiet intrigued me, and I requested more books.
The Summer of the Great-Grandmother tells the story of her mother living with them, and her gradual decline and death. It reminisces of the early years of her parent's marriage, when they were fearless world travelers, chased by bandits down the Yangtze River ( really!). It is a courageous sharing of the joys and pain of watching parents grow old.
Two-Part Invention is the story of how she and her husband met, their courtship, and the many years of their marriage. As her husband is dying of cancer, L'Engle tells of the birth of their children, the story of how they came to adopt their second daughter, and the adventures of running a small grocery store in a tiny town in Connecticut. She writes with honesty about the wrench of the first year or two of marriage, as they both discovered that the person they had married was different than they thought (how true that is!:), of their joys and misunderstandings, gradually learning to understand each other more. Knowing that Bach is one of L'Engle's favorite composers, I thought this book was brilliantly named.
Having discovered so much of her life, I found reading L'Engle's fiction (
Certain Women, A Live Coal in the Sea) rather odd. I knew exactly who a certain character was based on, or why she put in a certain passage. Perhaps other writers base their stories so much on their own experiences. But in some ways it was like reading a different version of her own life. I also discovered, sadly, that she is a universalist and has succumbed to the 'modern' view of God: Interpreting the OT in terms of God rising from a tribal deity to the god of a large nation (and only because of this becoming the most important god), etc. And since she believes that no one is ever sent to hell, at least eternally, her villians ceased to be villians. The tension leaves the story in a way that most disappointing. She reduces God to a deity that she can understand, and He becomes impotent, damp, and uninteresting. Instead of majesty and glory, it conjures up a picture of seemingly random events in a book and an author standing beside them, wringing her hands and muttering that surely God couldn't do that! We must change the story.
While I can recommend the Crosswicks Journals Series ( A
Two-Part Invention,
Summer of the Great-Grandmother, and
A Circle of Quiet), I can't recommend her fiction ( at least not yet). Perhaps I'll go back to
The Wind in the Door, and find that it's time has come.